On March 31, 2026, another edition of Metatopia, in partnership with The Wrong Biennale,  ended up. In this section, we investigated the aberrant movements of artificial intelligences, that is, the ways in which they produce hallucinations, errors, and deviations within the normative and hegemonic language of machines. These displacements traverse the production of the sensible, affecting art, space, architecture, cities, cinema, and music, reconfiguring modes of creation and perception.

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Thirteen years ago, this biennale emerged as a challenge to the monopoly of traditional biennials, opening a passage for digital art that existed at the margins of the art system. Today, it resonates with more than 13,000 creators worldwide, reaching millions and shaping a post-gallery project that actively intervenes in the formation of digital culture, establishing itself as a model of real inclusion within an otherwise tightly closed art system.

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To every artist, curator, researcher, and visitor who engaged in this process, bringing their perspectives, questions, and propositions, I offer my recognition. It is within this multiplicity of voices, what we call a collaboratory, that the biennale gains density, opening new possibilities for collective thinking and artistic practice. All of this is ours.

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We continue.

With love and gratitude,
Aisthesis Lab

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